Sony FE 16-25mm f/2.8 GM. Interestingly, Sony mentioned in its GM press release that these lenses, “will inspire and ‘wow’ photographers and videographers for years to come.” People in the industry report that Sony is working on an 80-megapixel camera next that shoots 6K video, and that GM lenses have been tested on and were built to match that powerful of an image sensor. This lens is less than $239 on On top of that, it offers superb image quality once paired with the A6000. Given Sony’s strong relationship with Zeiss, there are plenty of high-end options that should make even the most discerning photographers happy. Compared to Canon's EF-mount lenses or Nikon's F-mount lens offerings, there still are fewer FE options of both types at this time (Sony is catching up, however). We knew mirrorless FE mount lenses but no one expects to find a lens for this cheap! At around $450, this is the cheapest FE lens on this list by quite a bit. At the end of the day, all three are top-notch portrait lenses, but we like the value of the Sony 85mm f/1.8. Category: Wide angleWeight: 11.6 oz.What we like: Incredible sharpness and color rendition.What we don’t: Not heavy but a little bulky. So far, you’d have noticed that there is a great competition between Sony and Sigma when it comes to making incredible pieces of lens… Category: Travel/portraitWeight: 27.4 oz.What we like: Better low light performance than the 55mm f/1.8.What we don’t: Heavy for a prime. Best Portrait Lens: Sony 50mm f/1.8 OSS. See the Sony 24-70mm f/4. This causes the focal length of the FE lens to multiplied by the crop value of the a6000. SEL24105G (24 24) E-mount Full Frame format; At this focal length, it's a dream pairing for the a7R IV. Well worth considering at that low price. The Sony FE 70-200mm f/4 lens is a great choice for those shooting on mirrorless cameras who want to be inventive and use a telephoto in their landscape shots. The best adapter for Canon to Sony FE, for example, is $395 and is on its fifth rendition to date plus firmware updates. Before the Sony 100-400mm GM above hit the market, the 70-300mm f/4.5-5.6 was the only way to shoot further than 200mm. With the introduction of the FE mounts, Sigma has eliminated the need for adapters that compromised performance—each lens has an autofocus drive control program that enables them to match the capabilities of the Sony bodies (in theory, at least). It's also important to avoid changing lenses in inclement weather as breaking the seal between your lens and camera will expose your equipment's vulnerable points. It’s extremely sharp all the way to the corners (Zeiss primes are known for their sharpness), has little distortion, incredible color rendition, and fast autofocus. Similar to Canon’s “L” series, Sony “GM” lenses are the best of the best. In today’s article, we look at the best macro lenses for Sony cameras. For our top “normal” lens for Sony full frame, it was a close call between the 55mm f/1.8 and the 50mm f/1.4 below. In addition, the build quality of GM lenses is superb, with premium elements and weather sealing (outdoor and travel photographers make up a big part of Sony’s constituency so this makes a lot of sense). Perfect walking around with, shooting indoors and outside this lens will not affected by weather conditions nor lighting configurations. This is quite possibly the best Sony E-mount lens you can buy. Sony 28-70mm f/3.5 - 5.6 kit lens; Sony 24-105mm f/4 G (click for full review) And I'm going to take you through Sony's portrait lenses so you can get a better idea of which lenses will work for you in 2020 and beyond. I'd been hoping that this lens would be a little more affordable, but from the reviews, it seems that Sony didn't hold back in terms of image quality. It’s also heavier than either of those two lenses at a whopping 31.3 ounces. You'll notice more distortion and vignetting from the 24-105mm, which can be corrected fairly easily in post processing. The result is that you should choose your zoom carefully and probably avoid some of the older models like the 28-70mm f/3.5-5.6 and 24-70mm f/4. Now if you’re new to the world of lenses you Amy not have heard about Laowa. While you can use a non-FE lens on a full frame camera, it will reduce the image resolution and field of view to be equivalent to an APS-C sized sensor, so I’d advise against that. For a workhorse lens for travel and everyday use, the 24-105mm is a great option. But times have changed, including the release of the Sony 200-600mm f/5.6-6.3, resulting in more telephoto options for FE. What we don't: Can’t beat the optics of the 24-70mm GM above. The last lens on our list is the Sony FE 24-105mm lens. Amazon DE. The mirrorless revolution is in full swing. It’s a tough call between this and the Batis 18mm above, which has autofocus and is wider from a focal length perspective but offers similar overall image quality. In addition, Sony recently released the 200-600mm f/5.6-6.3, along with 400mm f/2.8 and 600mm f/4 primes. Primes usually are smaller as well, but you may need to carry multiple lenses to cover your desired focal lengths. Zeiss Loxia 50mm f/2 Planar T* The Zeiss Loxia 50mm f/2 is another beautiful lens, which is crafted … To start us off is the Sony FE 16-35mm f/2.8 GM lens. Impressively, the 100-400mm f/4.5-5.6 is roughly the same size as the 70-200mm f/2.8 above and comes in reasonably light for a lens of this type at “just” 49 ounces. Accordingly, below is detailed information... Digital SLR cameras are among the best of the best: they have the largest sensors, the most megapixels, and the highest quality selection of lenses. The 45mm f/1.8 lens … Note that there are two types of E mount lenses, “FE” lenses, which will work on both full frame and APS-C sized Sony cameras, and non FE lenses which are designed for APS-C sizes sensors only. What started as one camera article has expanded into a burgeoning section of information covering everything from inexpensive point-and-shoots to full-frame... Buying a Canon full-frame DSLR is a very exciting prospect, but deciding on the right lenses can be challenging. Distortion is heavy, softness is present and particularly in the corners, and the OSS image stabilization is largely unnecessary (Sony has added built-in image stabilization to all of its latest camera bodies). To help you wade through the masses of Canon EF (full-frame) lens models... Nikon’s full-frame camera lineup is impressive, but perhaps even more so is the extensive collection of FX-format (full frame) lenses. Read more about us. By Matthew Richards 09 June 2020. It features a larger piece of glass compared to conventional lenses weighing about 680g. However, the f/1.4 is more than three times the price of the f/1.8 and more than double the weight, and it may even be a little softer to boot. What are the downsides of the Sony 12-24mm f/4? Sony 85mm f/1.8 ($548) Category: Portrait. This lens is tack sharp even when wide open, produces creamy bokeh that you just can’t replicate with a slower lens, and boasts excellent build quality. For those looking to try out astrophotography or any type of night shooting, lower numbers are a huge plus and it's not recommended to get anything slower than f/2.8. The good news is that the Sony 70-200mm f/4 is no slouch. And on newer Sony full-frame cameras like the a7R IV, it’s going to have trouble standing up to the resolution of the image sensor. Aside from the common complaint of Sigma lenses being bulky and heavy, the major concern with the 35mm f/1.4 Art is the speed of the autofocus. 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